Typically I
start with the face, looking to find a spirit that will infuse
the whole piece. Beauty is not what I strive to achieve; neither
is symmetry. On the contrary, I purposely explore every wrinkle,
every vein pumping underneath the skin, as well as the pull of
gravity as you tilt your head, to capture the truth of a particular
moment. Hands and feet
demand as much attention as the face. Not only do they express
emotion but also, help guide the eye along the movement of the
body. Building the
body, I must consider the frailties of the medium. It must be
entirely hollow, or it will crack during the firing (as the surface
reaches a different temperature than the inside.) Also, the body
will collapse upon itself if not supported properly during the
drying period.
View:
The Finished Piece |
